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Verdi's explosive first meeting of with Shakespeare; a revolutionary title that the Italian opera genius reinvented with a new way of singing – dark, whispered, close to the recitative – to unleash the hysterical collapse of a ruler and show us the tragic destiny of his sordid Lady.

The New York Times presents the Teatro alla Scala’s opening performance
The La Scala opening performance goes global.
Nardello: “We possess a huge asset: Music”.